[Esp./Eng.] ÂĄRĂłmpete una pierna! || Break a leg!
If you prefer the English version, click on the following link đ HERE
Hoy es jueves, «đđ„ đđźđđ«đ©đš đ„đš đŹđđđ», đđ„ đđąÌđ đđđ„ #TBT. Casi se me escapa el jueves sin cumplir con el ritual del #TBT, pero el corazĂłn tiene su propia memoria y hoy me reclamĂł un espacio para volver a mirar estas fotografĂas.
Son tantas las fotografĂa que se tienen actualmente en fĂsico o en digital. Todas llenas de historias...; tantas historias, que nos cuesta mucho decidir por cual publicar. AsĂ que la foto que publicarĂ© hoy serĂĄ sacada al azar.
ÂĄRĂłmpete una pierna!
El teatro tiene un olor particular, una mezcla de madera vieja, terciopelo pesado y el rastro eléctrico de los focos que calientan el aire. Me senté junto al Sr. Thomas, el padre de Flow, sintiendo esa inquietud familiar de quien espera un milagro cotidiano. En Venezuela decimos «sobrina putativa» para nombrar ese parentesco que no dicta la sangre, sino el afecto elegido. Y allà estaba ella, mi Flow, sentada en la tarima, con su sonrisa radiante desafiando la gravedad y la lógica.
Flow naciĂł sin brazos..., para el mundo, eso es una carencia; para ella, es simplemente otra forma de ser. La vi acomodarse en la silla, con esa naturalidad que me sacĂł un par de lĂĄgrimas. Es que a ella, no le hacen falta brazos para abrazar la vida. Sus pies, expertos y delicados, se posicionaron sobre el metal dorado de la trompeta.

En ese silencio que precede a la primera nota, el Sr. Thomas se inclinĂł hacia adelante y, con una voz que retumbĂł en las paredes del auditorio, gritĂł:
âÂĄBreak a leg, Flow! (ÂĄRĂłmperte una pierna!).
SentĂ un escalofrĂo. La frase me golpeĂł como un acorde disonante. MirĂ© a Flow, que sostenĂa el instrumento con sus piernas, y luego mirĂ© a Thomas. Por un segundo, la literalidad de las palabras me pareciĂł una cruel ironĂa, casi un error del destino. ÂżCĂłmo desearle que se rompa una pierna a quien depende de ellas para crear belleza?
Thomas notĂł mi asombro. Me puso una mano en el hombro y sonriĂł explicĂĄndome los secretos de las palabras.
âTranquilo âsusurrĂł, mientras el pĂșblico empezaba a aplaudirâ. En el teatro, la suerte es un animal esquivo y envidioso. Si le deseas a alguien «¥buena suerte!», los duendes del escenario se encargarĂĄn de arruinarlo todo por pura maldad. AsĂ que los engañamos. Le deseamos lo peor, que se "rompa una pierna", para que el destino se confunda y le regale, por pura contradicciĂłn, una noche perfecta.

Entendà entonces que «Break a leg» no es un mal deseo, sino un escudo. Es el lenguaje secreto de los artistas para decir: «Eres tan grande que el destino va a querer boicotearte, pero yo te protejo con este conjuro al revés».
En ese momento, mientras Flow soplaba y sus dedos-pie danzaban sobre los pistones, el aire del teatro cambiĂł. Sencillamente era mĂșsica; era una frecuencia que yo conocĂa muy bien. Era el mismo "aire de vida" que tenĂa mi pequeña SofĂa.
SofĂa se fue a los once años, librando una batalla contra el destino que nos dejĂł a todos en silencio. Pero al ver a Flow, sentĂ que ese silencio se rompĂa. HabĂa algo en el brillo de sus ojos, en la forma en que su alma parecĂa desbordar su cuerpo fĂsico, que me hablaba directamente de mi hija. Era como si SofĂa, a travĂ©s de la trompeta de Flow, me estuviera enviando un mensaje codificado en notas musicales.
«PapĂĄ, sigo aquĂ, en la valentĂa de los que no se rinden», parecĂa decirme el eco de la melodĂa.
Flow no necesitĂł brazos para alcanzar el cielo... Me repetĂ varias veces. Y mientras Thomas y yo la veĂamos brillar, comprendĂ que la verdadera suerte no es que no te pase nada malo, sino tener la fuerza para convertir cualquier "fractura" de la vida en una sinfonĂa.
Aquella noche, Flow no se rompiĂł nada. Al contrario, me remendĂł un poco el alma, dirĂa que a todos los que estĂĄbamos allĂ...
NOTAS IMPORTANTES A TENER EN CONSIDERACIĂN:
Para alguien que estĂĄ aprendiendo el idioma o adaptĂĄndose a la cultura (en cualquier parte del mundo), escuchar que un padre le dice a su hija "rĂłmpete una pierna" suena casi criminal, pero no lo es.
No se preocupen, ÂĄnadie terminĂł en el hospital! EstĂĄs ante una de las expresiones idiomĂĄticas mĂĄs famosas del mundo anglosajĂłn: "Break a leg".
Les explico todo el trasfondo de esta curiosa frase:
1. ¿Qué significa realmente?
Significa, simple y llanamente, "ÂĄBuena suerte!". Sin embargo, se usa casi exclusivamente en el mundo del espectĂĄculo (teatro, danza, mĂșsica) o en situaciones donde alguien debe presentarse ante un pĂșblico (como una competencia).
2. ¿Por qué se dice algo tan "malo" para desear algo bueno?
La razón principal es la superstición. En el mundo del teatro (espectåculo) existe la creencia de que hay "duendes" o fuerzas del destino que son envidiosas. Si dices "¥buena suerte!", ellos lo escucharån y harån que algo salga mal. Por lo tanto, para "engañar" al destino, le deseas a la persona lo peor (que se rompa una pierna) para que, por el contrario, ocurra lo mejor.
3. Las teorĂas sobre su origen (son fascinantes):
No hay una sola versiĂłn oficial, pero estas son las mĂĄs aceptadas y las que arrojaron mi investigaciĂłn:
- La lĂnea de las "piernas" (Vaudeville): En los antiguos teatros, las cortinas laterales que ocultaban a los actores antes de salir al escenario se llamaban "legs" (piernas). Para que a un actor le pagaran, tenĂa que salir a escena y "romper" la lĂnea de esas cortinas. AsĂ que "break a leg" significaba: "espero que logres salir al escenario y actuar para que te paguen".
- Hacer la reverencia: Antiguamente, cuando un actor tenĂa mucho Ă©xito, el pĂșblico aplaudĂa tanto que el actor debĂa hacer muchas reverencias doblando la rodilla (haciendo una flexiĂłn). Al "quebrar" la lĂnea recta de la pierna para agradecer el Ă©xito, se decĂa que estaba "rompiendo la pierna".
- En la antigua Grecia: En lugar de aplaudir, el pĂșblico pisoteaba el suelo con fuerza. Se decĂa que, si la actuaciĂłn era increĂble, el pĂșblico golpearĂa el suelo tan fuerte que alguien podrĂa romperse una pierna.
4. La equivalencia en español (que también es rara)
Si esto *"Break a leg!" te parece extraño, recuerda que en el teatro en hispanohablante (especialmente en España) se utiliza la expresión: "¥Mucha mierda!", je, je, je...
- ÂżEl origen? Antiguamente, la gente rica iba al teatro en carruajes tirados por caballos. Si fuera del teatro habĂa "mucha mierda" de caballo, significaba que el teatro estaba lleno y que la funciĂłn era un Ă©xito rotundo.
IMPORTANTE OBSERVACIĂN:
Puedes usar "Break a leg" con amigos antes de una presentaciĂłn de trabajo, un examen oral o un concierto. Pero ÂĄđ!, no lo uses si alguien va a hacer algo realmente peligroso fĂsicamente (como esquiar o hacer puenting), porque ahĂ podrĂa malinterpretarse.
âđ đđđŠđŁđ€đ đđ đđčđ - đđ đđÌđ đđ đđ€đ đ€.
TambiĂ©n pueden revisar las Ășltimas publicaciones en la casa de la Comunidad #TopFamily

Portada de la iniciativa.
A ver si se animan, las amigas @cirangela y @faniaviera, y el amigo @theshot2414âŠ


Today is Thursday, âthe body knowsâ, the day of #đđđ. I almost let Thursday slip by without observing the #TBT ritual, but the heart has its own memory and today it claimed a moment for me to look at these photographs again.
There are so many photographs we have nowadays, whether physical or digital. Theyâre all full of histories...; so many stories, in fact, that we find it very hard to decide which one to post. So the photo Iâll be posting today will be chosen at random.
Break a leg!
The theatre has a distinctive smell, a mixture of old wood, heavy velvet and the electric scent of the spotlights warming the air. I sat next to Mr Thomas, Flowâs father, feeling that familiar sense of anticipation one feels when waiting for an everyday miracle. In Venezuela we say âputative nieceâ to describe that kinship dictated not by blood, but by chosen affection. And there she was, my Flow, sitting on the stage, her radiant smile defying gravity and logic.
Flow was born without arms... to the world, that is a deficiency; to her, it is simply another way of being. I watched her settle into the chair, with a naturalness that brought a couple of tears to my eyes. The thing is, she doesnât need arms to embrace life. Her feet, skilled and delicate, positioned themselves on the golden metal of the trumpet.

In that silence preceding the first note, Mr Thomas leaned forward and, in a voice that echoed off the auditorium walls, shouted:
âBreak a leg, Flow!â
I felt a shiver. The phrase struck me like a dissonant chord. I looked at Flow, who was holding the instrument between her legs, and then I looked at Thomas. For a second, the literal meaning of the words struck me as a cruel irony, almost a twist of fate. How could you wish for someone who depends on their legs to create beauty to break a leg?
Thomas noticed my astonishment. He put a hand on my shoulder and smiled, explaining the secrets of the words to me.
âDonât worry,â he whispered, as the audience began to applaud. âIn the theatre, luck is an elusive and envious creature. If you wish someone âgood luckâ, the stage goblins will make sure to ruin everything out of sheer malice. So we trick them.â We wish them the worst, that they âbreak a legâ, so that fate gets confused and, out of sheer contradiction, gives them a perfect night.

I understood then that âBreak a legâ isnât a bad wish, but a shield. Itâs the artistsâ secret language for saying: âYouâre so great that fate is going to want to sabotage you, but Iâll protect you with this reverse spellâ.
At that moment, as Flow blew and his toes danced over the pistons, the atmosphere in the theatre changed. It was simply music; it was a frequency I knew very well. It was the same âbreath of lifeâ that my little SofĂa had.
SofĂa passed away at the age of eleven, fighting a battle against fate that left us all in silence. But watching Flow, I felt that silence breaking. There was something in the sparkle of his eyes, in the way his soul seemed to overflow his physical body, that spoke directly to me of my daughter. It was as if Sofia, through Flowâs trumpet, were sending me a message encoded in musical notes.
âDad, Iâm still here, in the courage of those who donât give up,â the echo of the melody seemed to tell me.
Flow didnât need arms to reach the sky... I told myself that over and over. And as Thomas and I watched her shine, I realised that true luck isnât about nothing bad happening to you, but about having the strength to turn any âbreakâ in life into a symphony.
That night, Flow didnât break a single bone. On the contrary, she mended my soul a littleâIâd say she mended the souls of all of us who were thereâŠ
IMPORTANT POINTS TO BEAR IN MIND:
For someone who is learning the language or adapting to the culture (anywhere in the world), hearing a father say to his daughter âbreak a legâ sounds almost criminal, but it isnât.
Donât worry, nobody ended up in hospital! Youâre looking at one of the most famous idioms in the English-speaking world: âBreak a legâ.
Let me explain the whole background to this curious phrase:
1. What does it actually mean?
It means, quite simply, âGood luck!â. However, it is used almost exclusively in the performing arts (theatre, dance, music) or in situations where someone has to perform in front of an audience (such as a competition).
2. Why do we say something so âbadâ to wish for something good?
The main reason is superstition. In the world of theatre (the performing arts), there is a belief that there are âgoblinsâ or forces of fate that are envious. If you say âgood luck!â, they will hear you and make something go wrong. Therefore, to âtrickâ fate, you wish the person the worst (that they break a leg) so that, conversely, the best will happen.
3. Theories about its origin (theyâre fascinating):
There isnât a single official version, but these are the most widely accepted ones and the ones my research turned up:
- The âlegsâ line (Vaudeville): In old theatres, the side curtains that hid the actors before they went on stage were called âlegsâ. For an actor to get paid, they had to go on stage and âbreakâ the line of those curtains. So âbreak a legâ meant: âI hope you manage to go on stage and perform so that you get paidâ.
- Taking a bow: In the old days, when an actor was very successful, the audience would clap so much that the actor had to take many bows by bending the knee (doing a squat). By âbreakingâ the straight line of the leg to acknowledge the success, it was said that they were âbreaking their legâ.
- In ancient Greece: Instead of clapping, the audience would stamp their feet hard on the ground. It was said that, if the performance was incredible, the audience would stamp the ground so hard that someone might break a leg.
4. The Spanish equivalent (which is also odd)
If this *âBreak a leg!â sounds strange to you, remember that in Spanish-speaking theatres (especially in Spain) the expression used is: âlots of shit!â ("Good luck"), heh, heh, heh...
- The origin? In the old days, rich people used to go to the theatre in horse-drawn carriages. If there was âlots of horse manureâ outside the theatre, it meant the theatre was full and the performance was a resounding success.
IMPORTANT NOTE:
You can use âBreak a legâ with friends before a work presentation, an oral exam or a concert. But đ!, donât use it if someone is about to do something physically dangerous (such as skiing or bungee jumping), as it could be misinterpreted in that context.
***
***
If you want to take part, I think youâre still in time â youâve got until 11.59 pm TODAY, THURSDAY, so hurry up and remember to follow the rules.
With TBT contest - One of those days.
You can also check out the latest posts on the #TopFamily Community page

Cover of the initiative.
Letâs see if my friends @silher and @castri-ja, fancy joining inâŠ


TambiĂ©n pueden revisar las Ășltimas publicaciones en la casa de la Comunidad #TopFamily

Portada de la iniciativa.
A ver si se animan, las amigas @cirangela y @faniaviera, y el amigo @theshot2414âŠ


Today is Thursday, âthe body knowsâ, the day of #đđđ. I almost let Thursday slip by without observing the #TBT ritual, but the heart has its own memory and today it claimed a moment for me to look at these photographs again.
There are so many photographs we have nowadays, whether physical or digital. Theyâre all full of histories...; so many stories, in fact, that we find it very hard to decide which one to post. So the photo Iâll be posting today will be chosen at random.
Break a leg!
The theatre has a distinctive smell, a mixture of old wood, heavy velvet and the electric scent of the spotlights warming the air. I sat next to Mr Thomas, Flowâs father, feeling that familiar sense of anticipation one feels when waiting for an everyday miracle. In Venezuela we say âputative nieceâ to describe that kinship dictated not by blood, but by chosen affection. And there she was, my Flow, sitting on the stage, her radiant smile defying gravity and logic.
Flow was born without arms... to the world, that is a deficiency; to her, it is simply another way of being. I watched her settle into the chair, with a naturalness that brought a couple of tears to my eyes. The thing is, she doesnât need arms to embrace life. Her feet, skilled and delicate, positioned themselves on the golden metal of the trumpet.

In that silence preceding the first note, Mr Thomas leaned forward and, in a voice that echoed off the auditorium walls, shouted:
âBreak a leg, Flow!â
I felt a shiver. The phrase struck me like a dissonant chord. I looked at Flow, who was holding the instrument between her legs, and then I looked at Thomas. For a second, the literal meaning of the words struck me as a cruel irony, almost a twist of fate. How could you wish for someone who depends on their legs to create beauty to break a leg?
Thomas noticed my astonishment. He put a hand on my shoulder and smiled, explaining the secrets of the words to me.
âDonât worry,â he whispered, as the audience began to applaud. âIn the theatre, luck is an elusive and envious creature. If you wish someone âgood luckâ, the stage goblins will make sure to ruin everything out of sheer malice. So we trick them.â We wish them the worst, that they âbreak a legâ, so that fate gets confused and, out of sheer contradiction, gives them a perfect night.

I understood then that âBreak a legâ isnât a bad wish, but a shield. Itâs the artistsâ secret language for saying: âYouâre so great that fate is going to want to sabotage you, but Iâll protect you with this reverse spellâ.
At that moment, as Flow blew and his toes danced over the pistons, the atmosphere in the theatre changed. It was simply music; it was a frequency I knew very well. It was the same âbreath of lifeâ that my little SofĂa had.
SofĂa passed away at the age of eleven, fighting a battle against fate that left us all in silence. But watching Flow, I felt that silence breaking. There was something in the sparkle of his eyes, in the way his soul seemed to overflow his physical body, that spoke directly to me of my daughter. It was as if Sofia, through Flowâs trumpet, were sending me a message encoded in musical notes.
âDad, Iâm still here, in the courage of those who donât give up,â the echo of the melody seemed to tell me.
Flow didnât need arms to reach the sky... I told myself that over and over. And as Thomas and I watched her shine, I realised that true luck isnât about nothing bad happening to you, but about having the strength to turn any âbreakâ in life into a symphony.
That night, Flow didnât break a single bone. On the contrary, she mended my soul a littleâIâd say she mended the souls of all of us who were thereâŠ
IMPORTANT POINTS TO BEAR IN MIND:
For someone who is learning the language or adapting to the culture (anywhere in the world), hearing a father say to his daughter âbreak a legâ sounds almost criminal, but it isnât.
Donât worry, nobody ended up in hospital! Youâre looking at one of the most famous idioms in the English-speaking world: âBreak a legâ.
Let me explain the whole background to this curious phrase:
1. What does it actually mean?
It means, quite simply, âGood luck!â. However, it is used almost exclusively in the performing arts (theatre, dance, music) or in situations where someone has to perform in front of an audience (such as a competition).
2. Why do we say something so âbadâ to wish for something good?
The main reason is superstition. In the world of theatre (the performing arts), there is a belief that there are âgoblinsâ or forces of fate that are envious. If you say âgood luck!â, they will hear you and make something go wrong. Therefore, to âtrickâ fate, you wish the person the worst (that they break a leg) so that, conversely, the best will happen.
3. Theories about its origin (theyâre fascinating):
There isnât a single official version, but these are the most widely accepted ones and the ones my research turned up:
- The âlegsâ line (Vaudeville): In old theatres, the side curtains that hid the actors before they went on stage were called âlegsâ. For an actor to get paid, they had to go on stage and âbreakâ the line of those curtains. So âbreak a legâ meant: âI hope you manage to go on stage and perform so that you get paidâ.
- Taking a bow: In the old days, when an actor was very successful, the audience would clap so much that the actor had to take many bows by bending the knee (doing a squat). By âbreakingâ the straight line of the leg to acknowledge the success, it was said that they were âbreaking their legâ.
- In ancient Greece: Instead of clapping, the audience would stamp their feet hard on the ground. It was said that, if the performance was incredible, the audience would stamp the ground so hard that someone might break a leg.
4. The Spanish equivalent (which is also odd)
If this *âBreak a leg!â sounds strange to you, remember that in Spanish-speaking theatres (especially in Spain) the expression used is: âlots of shit!â ("Good luck"), heh, heh, heh...
- The origin? In the old days, rich people used to go to the theatre in horse-drawn carriages. If there was âlots of horse manureâ outside the theatre, it meant the theatre was full and the performance was a resounding success.
IMPORTANT NOTE:
You can use âBreak a legâ with friends before a work presentation, an oral exam or a concert. But đ!, donât use it if someone is about to do something physically dangerous (such as skiing or bungee jumping), as it could be misinterpreted in that context.
If you want to take part, I think youâre still in time â youâve got until 11.59 pm TODAY, THURSDAY, so hurry up and remember to follow the rules.
With TBT contest - One of those days.
You can also check out the latest posts on the #TopFamily Community page

Cover of the initiative.
Letâs see if my friends @silher and @castri-ja, fancy joining inâŠ


You can also check out the latest posts on the #TopFamily Community page

Cover of the initiative.
Letâs see if my friends @silher and @castri-ja, fancy joining inâŠ


Es un post muy bueno, tanto en la explicaciĂłn de la frase, como en la historia de vida que compartes.
En una sola palabra: espectacular!!!
Gracias.
Sin duda maravilloso el mensaje que nos trajiste este jueves. Yo si lo habĂa leĂdo alguna vez es la frase correcta el deseo que se envĂa en el teatro, es como para que la mala suerte se aleje. Maravillosa entrada, menos mal que el cuerpo te lo recordĂł. Que niña tan fuerte y maravillosa. Un abrazo con fuerza.
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!BBH
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!LADY
!HUESO
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