RE: What a fucking mess

Sly usually seems to be able to pick good scripts. Maybe that's his writer's instinct for a good story or maybe it's just luck. Even when a script is only so-so, he can usually save it. But has has picked a handful of really bad ones. Whenever I want a good Sly cop film, I go for Nighthawks. Copland was good too, though not as good as it should have been with that cast. I'll stay away from "I See You/Detox".