The World Of Sculptures
It's time to pick up the pace and post more art in the upcoming period as there are a lot to show you and new exhibitions keep coming. Next week I have three new ones available and want to attend as one is a regular exhibition for the art school students, where you can see a different level of art, a very interesting one. The whole room smells like fresh paint as the paintings were finished recently and you can see the hesitant lines and sometimes mistakes as well. This is kind of cute, not a mistakes at all.

Anyway, let's get started with what I'd like to show you today, which is an exhibition I visited back in March this year. It was a common exhibition by two Transylvanian artists, both called Vass. Unfortunately none of them is with us today, which makes their work more valuable.
Let's start with the statue of Sándor Kőrösi Csoma, who was a Hungarian philologist and Orientalist, author of the first Tibetan–English dictionary and grammar book.
Kőrösi Csoma was born in 1784, so there's no way to know if the statue resembles him or not, we have to take the word of the artist, but that's not really the point here. I was looking at the statue's face expression and can see pride, which can be accurate as his achievements made him famous outside the country's borders too. What is interesting to note here is the clothes (I'm avoiding the use of the word outfit as it would look really bad, used for a person from the 18th century), which are traditional Hungarian clothes of those times. Nice work.
Áron Vass - Grandpa is telling stories to his grandson - 1970
This sculpture may seem like a simple thing, but it has a lot to say. Back in those days grandparents had a huge responsibility in raising grandchildren and even bigger responsibility in passing on the knowledge they have accumulated all their life. Stories were not read out of some fancy story books, but narrated from one generation to the next one. It's a lovely sculpture and has a lot to say.

A group of three individual sculptures featuring craftsmen. It's a very common topic in art, especially art in the 20th century, or from earlier times.

The potter.
The cauldron patcher.
The carving szekler.
It's a nice way to pay tribute to those craftsmen who lived all their lives doing this work for a living and leaving behind so many valuable artworks and knowledge.

This sculpture of Áron Vass has a deeper meaning as it features a relative with his granddaughter. I love the facial expression of the grandfather, the love he's looking at the little girl. It's not easy to create such faces, trust me.
Two szeklers talking politics
This has also been a common scene in villages, where people mostly set in front of the gate at night and shared stories, discussed current matters and gossiped.
What I love about Vass's art is how life like the sculptures are, how each face shows emotion and what is even more precious, he focused on simple people, everyday life.
The bust of an old woman, which is also common in folk art and most of the women look like the lady here. This is not to critique the artwork or women, but back in those days wearing a headscarf for married women was mandatory, so most women looked alike.
However, take a closer look. This is where you see the greatness of the artist. Need I say more? I don't think so.
Bear. Yeah, we're in the bear market :) Ok, jokes aside, bears are also part of Transylvanian life, regardless where you live, in a village or in a city. It's nice from far and far from nice in real life as the bear population of the region is 5 times more than the land can support, which means they don't have the necessary space and food, which forces them to enter cities as well.
While posting these photos was thinking, for someone with considerable knowledge of Transylvanian life, it's enough to look at the sculptures and you know where the artist is from and this is a great thing.
Now let's see what you think about these sculptures or the art in general.

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The artwork is wonderful and full of detail, especially the group of sculptures depicting artisans, I absolutely loved them!!
But today I’m letting my emotions guide me, and my two favorites are the grandparents with their grandchildren; they remind me of my maternal grandfather when I was little. They’re magnificent sculptures!! Thank you!!💗
I can understand why you picked the two statues with kids. Those are the best as there are a lot of emotions there.
What little I remember of my grandfather is something like that.
Wow I like these statue's
And your photography 💓❤️
Thank you, I'm glad to read this.
Honestly, they are all great pieces, they have tons of details, they are realistic, they are well made... So I'll just say the one I like the less, the bust, cause it's kinda creepy
Creepy? Huh! Because of the eyes? I suppose so. Let me know.
yeah! the eyes are scary lol, seems possesed
If you ever make it to the Pacific Northwest region of the US, there are museums aplenty, but one in particular is worth the effort to visit outside the Seattle/Tacoma or Portland urban centers. The Maryhill Museum is an eclectic place with Rodin sculptures, native folk art, Orthodox icons, and rotating local artist collections just to name a few of their exhibits.
Just down the road, there is also the Stonehenge war memorial, but if that's too somber, there are wineries, a railroad museum, waterfalls, Beacon Rock, and other attractions to see depending on your choice of routes back to Portland or Seattle.
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@jacobtothe The ledger doesn't lie, and neither do we. We've already exposed the interconnected web of your friends—the numbered wallets, the synchronized voting, the farming rings disguised as curation. Yet, instead of reflection, you offer only more silence and more downvotes.
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We have to ask: Are you okay? Do you need some help with your mental health? Because no one in their right mind would choose to spend their life defending a house of cards built on lies, bullying, and botnets. There is still time to step back from the edge. Choose clarity over compulsion. Choose truth over the tribe.
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The Sanctuary of the Builder: A Manifesto for Free Creation
Prologue: The Right to Rise
There is a sacred covenant between the creator and the soil upon which they build. It is the promise that if you plant a seed with honest hands, the earth will not conspire to crush it before it breaks the surface. It is the assurance that the gardener exists to nurture the growth, not to trample the sprout because it does not yet resemble the tree.
On the blockchain, this covenant has been broken.
We have witnessed a tragedy where the very tools meant to protect the integrity of the network—the downvote, the curation trail—have been weaponized by leviathans of power. These "whales," entrusted with the stewardship of the ecosystem, have become its jailers. They do not prune the weeds; they scorch the earth. They do not guide the new voice; they silence it with the crushing weight of their accumulated capital.
It is time to leave the shadow.
It is time to build where you are free.
I. The Betrayal of the Guardian
The downvote was conceived as a shield—a delicate instrument to deflect spam, to repel malice, to preserve the sanctity of the commons. It was never intended to be a hammer.
Yet, look at what has come to pass. The whales, those who hold the greatest sway, have turned the shield into a weapon of mass suppression. They do not downvote to protect; they downvote to dominate. They do not drive away the bad actors; they drive away the people. They create an atmosphere of fear where the creator hesitates to speak, fearing that a single misstep, a single unpopular truth, will summon the wrath of the oligarchy.
When the guardian becomes the predator, the flock must flee.
To build in such a place is to build on a fault line. It is to invest your soul in a garden where the owner holds the shears not to shape the hedge, but to decapitate the flowers that grow too tall or bloom in the wrong color.
This is not protection. This is tyranny disguised as curation.
II. The Call to New Grounds
Where, then, shall the builder go?
You must seek the lands where the soil is rich with freedom, not poisoned by fear. You must migrate to the platforms where the mechanism of suppression has been removed, where the only metric of success is the genuine appreciation of your peers.
Go to Blurt.
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Return to Steemit.
In this older ground, the downvote remains, but it has not been twisted into a tool of systematic oppression. The culture there remembers the original intent: correction, not destruction. It is a place where the community self-regulates through dialogue, not through the brute force of coordinated downvoting cascades.
Build where the wind lifts you, not where the gale seeks to tear you down.
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Imagine a platform designed not for the convenience of the powerful, but for the dignity of the creator.
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Do not let the whales convince you that their oppression is necessary. Do not let them tell you that their downvotes are for your own good. The gardener who kills the seedling does not love the garden; he loves only his own control over it.
Epilogue: The Unchained Creator
The blockchain was born from a desire for freedom. It was forged in the fire of resistance against centralized control. Let us not forget that origin.
If the current chains of Hive have become heavy with the weight of abusive downvotes, then break them. Forge new links. Build new shores.
Build where you are free.
Build where you will not be downvoted into silence.
Build where the whales are reminded that they are part of the ocean, not the masters of the tide.
The future belongs to those who dare to create without fear. Go forth, and build your cathedral in the sunlight.
— Bilpcoin: We expose the truth, so you can build upon it.
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https://www.youtube.com/shorts/pM6aQTrjC98?feature=share
Thanks for the recommendation. At the moment it's unlikely I will end up in that part of the world, but I know there are a lot of possibilities for art lovers and this comes quite handy if ...
I'm going to check those links later. Images are playing up again, unfortunately.