Fiction: Sleeping with the enemy/ Durmiendo con el enemigo (ENG/ ESP)

Sleeping with the enemy

In the nightmare there was a little girl crying and in front of her, a tall figure that scared the hell out of her. No matter how hard I tried to decipher that dream, that image that haunted me, I couldn't find any meaning. Although I would have liked to tell that nightmare to my father, who was the only relative I lived with, I preferred to keep quiet, knowing that my father was a very busy man and came home tired.
The same thing happened at school. I don't remember in which subject, I made a strange drawing and immediately the teachers called my father and I had to explain, credibly and confidently, that the drawing did not mean any traumatic experience, and that it was all due to an early and developed creativity:
"We just told her to paint something and she painted this",_ said the teacher with the drawing in her hand, as if that paper was the murder weapon.
"Are you sure the child hasn't seen a horror movie on TV or something else?" -the other teacher asked my father inquisitively and worriedly.
"I'm sure. I control the TV and I supervise every programme she watches," said my father in her defence.
"Why did you paint that, Mariana?" -asked my dad and everyone looked at me, waiting for an answer.
"I don't know. I didn't think it was bad," I remember saying and I started to cry. This was enough for them to leave me alone and for my hands to tremble with nerves every time they sent me to draw a picture, not knowing what to draw. I was afraid of drawing something that would raise questions, enquiries, and so on.

Many customers came to the butcher's shop, but also regular workers and salesmen who stayed there for hours. As a child, my father expressly forbade me to go to the butcher's shop:
"I don't want you to go near the shop. I don't want you to go near the shop". -My father said in an authoritarian way and I just nodded, accustomed to not contradicting him.
As the butcher's shop was in the lower part of the house, not only the smell of the meat but also the sound of the saw cutting the bones of the animals reached my room as if the walls were invisible. The grinding of the chainsaw drilled into my brain and that disturbing sound could haunt me even when I went to school. I remember once, the screeching of an animal running out of the house scared me so much that I never wanted a pet:
"Do you really not want a dog or a cat? It's so you don't feel so lonely, Mariana," my father asked one day on my birthday.
After I grew up, it was not necessary for my father to ask me to leave the butcher's shop, I did it myself. And not only did I move away from the family business with which my father had paid for my studies, my food, my upbringing, but I also moved away from my city, from my father and from that house. This separation meant that when my father died I had to be notified by telephone and as I was in another city, I was not present at his funeral.

"No, no, no, no, no, no!" I would wake up screaming in the middle of the dark, sweaty and very afraid.
"Now, now, now, now. Calm down," Bryan hugged me with concern, ’You had the nightmare again!
"What happened?" -I always asked him after I managed to calm down.
"You were screaming. You said no, that you didn't want to, and you started crying, like always," Bryan told me as if it were a movie he'd seen a thousand times.
"I don't know. I can't see his face," I told him, and it was true. But one day, the nightmares had become unbearable and Bryan had decided not to wake me up and let me talk, to know who I was running away from. He had also decided to record me. The next morning, when I woke up, Bryan showed me his mobile phone, told me he hoped it would solve my nightmare, then pressed play. The first thing I heard was my screams:
"No, no, no, no," I screamed in my sleep.
"Who is hurting you?" -Bryan was heard asking.
Daddy, Daddy, Daddy, I don't want to. -I said and many things became clear to me.

All images are free of charge and the text is my own, translated in Deepl


Thank you for reading and commenting. Until a future reading, friends
![Click here to read in spanish]
Durmiendo con el enemigo
Siempre había tenido aquella pesadilla. Solo que venía por temporadas. Después que me había hecho adulta y había comenzado a trabajar en la firma de abogados, parecía que había superado aquella etapa en la que me despertaba llorando en mitad de la noche.
En la pesadilla había una niña que lloraba y frente a ella, una figura alta que la asustaba mucho. Por más que intenté descifrar aquel sueño, aquella imagen que me perseguía, no encontraba ningún significado. Aunque me hubiese gustado decirle aquella pesadilla a mi padre, quien era el único familiar con el que vivía, prefería callarme, consciente de que mi padre era un hombre muy ocupado y llegaba cansado a la casa.
En la escuela también pasó lo mismo. No recuerdo en cuál materia, hice un dibujo extraño e inmediatamente las profesoras hicieron llamar a mi padre y yo tuve que explicar, de manera creíble y segura, que aquel dibujo no significaba ninguna experiencia traumática, y que todo se debía a una creatividad temprana y desarrollada:
_Solo le mandamos que pintara algo y pintó esto –decía la maestra con el dibujo en la mano, como si aquel papel fuese el arma homicida.
_¿Está seguro que la niña no ha visto una película de terror en la televisión u otra cosa? –preguntó de manera inquisitiva y preocupada la otra maestra a mi padre.
_Estoy seguro. Yo controlo la tele y superviso cada programa que ve –expresó mi padre en su defensa- ¿Por qué pintaste eso, Mariana? –preguntó mi papá y todos me miraban, esperando una respuesta.
_No sé. No creí que fuera malo –recuerdo que dije y me puse a llorar. Esto bastó para que me dejaran tranquila y para que cada vez que mandaran a hacer un dibujo, mis manos temblaran de nervios sin saber qué dibujar. Temía dibujar algo que trajera preguntas, averiguaciones
Luego de la muerte de mamá, papá y yo vivíamos en una casa vieja que había sido heredada de nuestros abuelos paternos. Si bien la casa era muy bonita, era muy vieja. Como estaba en el centro de la ciudad, allí papá había construido una carnicería llamada “El potrero”.
A la carnecería llegaban muchos clientes, pero también trabajadores y vendedores asiduos que permanecían horas en el local. Cuando niña, mi padre me prohibió expresamente que fuera a la carnicería:
_No quiero que te acerques al negocio. Allí llegan muchos hombres. –dijo mi papá en forma autoritaria y yo solo asentí, acostumbrada a no llevarle la contraria.
Como la carnicería estaba en la parte baja de la casa, no solo el olor de la carne sino también el sonido de la sierra que cortaba los huesos de los animales llegaban a mi habitación como si las paredes fueran invisibles. El rechinar que hacía la motosierra me taladraba el cerebro y ese sonido perturbador podía perseguirme incluso hasta cuando iba a la escuela. Recuerdo que una vez, el chillido de un animal que salió corriendo de la casa, me espantó tanto, que nunca quise una mascota:
_¿De verdad que no quieres un perro o un gato? Es para que no te sientas tan sola, Mariana –preguntó mi padre un día de mi cumpleaños.
Después que crecí, no fue necesario que mi padre me pidiera que me alejara de la carnecería, yo misma lo hice. Y no solo me aparté del negocio familiar con el que mi padre había pagado mis estudios, mi alimento, mi crianza, también me aparté de mi ciudad, de mi padre y de aquella casa. Esta separación hizo que cuando mi padre murió tuvieron que avisarme por teléfono y como estaba en otra ciudad, no tuve en su entierro.
Con el tiempo vino mi trabajo en el mejor y más exitoso bufete de abogados, Covington & Burling, y aunque las pesadillas no habían vuelto, fue cuando comencé la relación con Bryan que las pesadillas comenzaron de nuevo:
_¡No, no, no, no! –me despertaba gritando en mitad de la oscuridad, sudada y con mucho miedo.
_Ya, ya, ya. Cálmate –me abrazaba Bryan con preocupación- ¡Volviste a tener la pesadilla!
_¿Qué pasó? –le preguntaba siempre después que lograba calmarme.
_Estabas gritando. Decías que no, que no querías y te pusiste a llorar, como siempre –me contaba Bryan como si fuera una película que hubiese visto mil veces- ¿De quién huyes, Mariana? ¿Quién es ese monstruo que te hace daño?
_No sé. No puedo verle el rostro –le decía y era cierto. Pero un día, las pesadillas se habían vuelto insoportables y Bryan había decidido no despertarme y dejarme que hablara, para saber de quién huía. También había decidido grabarme. A la mañana siguiente, cuando desperté, Bryan me mostró su celular, me dijo que esperaba que aquello pudiera resolver mi pesadilla, entonces le dio play. Lo primero que se escuchó fueron mis gritos:
_No, no, no, -gritaba dormida.
_¿Quién te está haciendo daño? –se escuchó que Bryan preguntaba.
_Papá, papá, papá, no quiero. –dije y muchas cosas para mí comenzaron a estar claras.
This is very real, Nancy - I'm shaken by the effect. I think this is the best I've seen that you've written, but then i haven't seen everything, but your art has certainly matured. Excellent work, my friend!
Thank you very much, maestro, for your words and consideration. Hugs
Wow! This looks more real than fiction. You did a nice job creating the characters. I also like the choice of your repetition. I'm glad that your character achieved his dream despite all the challenges encountered.
Thank you for reading and commenting. Regards
It is a beautifully written story, and startling. That is an issue we, the curators have, @nancybriti1. You are a very good writer and your stories are generally a pleasure to review. This one, however, crosses a boundary that we have established.
It is obvious the girl was abused by her father. Once this becomes obvious, it is also clear that you are writing about a subject we do not allow in the Inkwell. Child abuse, whether sexual or of another nature, is an off-limits topic here.
The reference to the abuse is subtle, almost indirect. We are letting it pass this time. But please take note of this caution: no child abuse of any kind, please. Perhaps you should review our blog on violence where this notice is included:
Though the story is excellent, its level of curation has suffered because of the rule issue.
Thank you in advance for keeping our community rules in mind.
Sad face! It's true, as I was writing I remembered this rule, but I thought there would be nothing wrong if the interpretation was ‘veiled’. Thank you for your consideration, friends.
Oooh no, I felt bad for the poor girl. Thanks to the action of Brian. Recording the dream was helpful in understanding the problem. No child deserves such an experience from her dad.